I have written a scholarly article called “A Quest for her own folk: Joan Clark’s An Audience of Chairs.” This article was recently published in The British Journal of Canadian Studies 31.1 (Winter 2018): 23-42. https://doi.org/10.3828/bjcs.2018.2
Here is the Abstract for the article:
In An Audience of Chairs (2005), novelist Joan Clark traces the trajectory of madness of Moranna MacKenzie, an intense, complex character who resists the pharmaceuticals associated with the mentally ill. Instead she retreats to the family farmhouse in Baddeck, Cape Breton, Nova Scotia, where she carves ancestral faces that surface, ghostlike, in the trees on her property. The labour soothes ‘Mad Mory’ and she sells her folkart to summer tourists. According to Ian McKay’s The Quest of the Folk (1994), this type of craftwork is a form of therapy to shore up a disturbed psyche within the ‘sick’ modern liberal order. Relying on discussions of postcolonial ‘hauntology’, this article examines how ancestral figurations, cosmological paradigms, forced migration to the New World during Scotland’s diaspora, and Indigenous displacement/settler expansion in Cape Breton combine to produce the cultural illness and the personal strife that possess — and dispossess — Moranna from without, and from within.